Continuing with the celebration of making it past 200, some of the collection escaped their sketchbooks and found their way to the wall. I’m mentally calling this the Hall Gallery, in part because it makes it sound like some multi-million-dollar endowment at the Nelson and in part because it’s in the downstairs hall at home.
The most recent ghost uses the same pens, inks and technique as #188, only this time on grey paper.
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